"Tunnels and Bridges"
Ceres Gallery @ 547 W27th Street, Suite201 New York, NY 10001
November 1st through 26th, 2005
"Tunnels and Bridges" - a group exhibition of
visual arts
Opening Reception: Thursday, November 3, 6-8PM
Panel Discussion: Thursday, November 10, 6:30-8PM
Title: "From Isolation to Community"
Panelists: Jacie Lee Almira, Dr. Hwa Young Caruso, Heejung Kim, Yan
Kong
Moderator: Tania Kravath, President of Ceres Gallery
Participating artists: Jacie Lee Almira, Mija Jung Bryen,
Hwo Young Caruso, Tomoko Fujiki, Suejin Jo, Soonok Jung, Karen Kang,
Heejung Kim, Wheiza Kim, Saeri Kiritani, Yan Kong, Chie Nishio, Nana
S. Park, Xin Song, Ling Y. Zhang
|
 |
 |
Jacie Lee Almira
Headline News
11"x14" each, Digital Photograph mounted on wood
Series of 5, 2005 |
| |
|
|
 |
|
Mija Jung Bryen
Tofu soup
digital c-print, 20" x 30", 2004 |
| |
|
|
 |
|
Hwo Young Caruso
Prophecy
17x14”, etching, 2001 |
| |
|
|
 |
|
Tomoko Fujiki
5:29pm / 5:29 am
27x38 _”, Spit Bite, aquatint, 2004 |
| |
|
|
 |
|
Suejin Jo
right:
Sisyphus- Pull
oil and dry pigment on canvas, 48”x24” , 2005.
left:
Despair, from Wait Up For Godot series
mixed media, 18”x14”, 1998 |
| |
|
|
 |
|
Yan Kong
Img05-09
12" x 19", Watercolor on Paper, 2005 |
| |
|
|
 |
|
Soonok Jung
Chemical Response: to evolve depth with flat images
90"X30", Mounted computer prints on plexiglas, 2005 |
| |
|
|
 |
|
Karen Kang
Her Scars
24x15x20”, Basalt, 2005 |
| |
|
|
|
|
Heejung Kim
Karma
12x25x4”, wood, ink, hinge, thread, 2005 |
| |
|
|
 |
|
Wheiza Kim
A Life As Over Bridge
23x12x4”
acrylic, mirror on wood, 2001 |
| |
|
|
 |
|
Saeri Kiritani
Subway
DVD, 14 min. 40 sec., 1998-2000 |
| |
|
|
 |
|
Chie Nishio
Sunday In The Park
16x20” |
| |
|
|
 |
|
Nana S.
Park
46-M_2
acrylic on canvas, 48x36”, 2003 |
| |
|
|
 |
|
Xin Song
Life+Sex?
papercut, 12x26”, 2005 |
| |
|
|
 |
|
Ling Y.
Zhang
Seeding
48-20”, mixed media, 2003 |
| |
|
|
 |
|
Panel Discussion
"From Isolation to Community"
From left to right: Moderator: Tania Kravath. Panelists: Hee
Jung Kim, Hwa Young Caruso, Jacie Lee Almira, Yan Kong. |
| |
|
|
 |
|
|
| |
|
|
 |
|
|
| |
|
|
 |
|
|
| |
|
|
 |
|
|
| |
|
|
 |
|
|
|
